REVIEW | ‘THEM’ A PRODUCTION BY BODY POLITIC
With newly imple­men­ted policy, Valer­ie’ Law  ask­ing the UK to invest in the pro­tec­tion of black
REVIEW | JAY ELECTRONICA’S SOLD-OUT SHOW AT THE...
It’s been a few years since Jay Elec­tron­ica last toured the UK. Now in a slightly smal­ler
REVIEW | ENDEMIC EMERALD ‘THE VIRUX’
NYC-based pro­du­cer Endem­ic Emer­ald is proud to present the release of his 3rd album entitled “The
“PEOPLE OF COLOUR IN MUSIC HAVE LONG BEEN...
“Weirdo” is a slur I know all too well. This was mainly from being one of
REVIEW | RENU ‘YOU ARE FEARLESS’ (TUMI OBHOI...
The music of per­cus­sion­ist, com­poser, pro­du­cer and multi-instru­ment­al­ist RENU (Renu Hossain) is a...
REVIEW | TRANSGLOBAL UNDERGROUND AT JAZZ CAFÉ...
Trans­g­lob­al Under­ground are the musi­cians’ musi­cians. Pion­eers of the extremely influ­en­tial World...
REVIEW | LIRAZ LIVE AT THE JAZZ CAFE LONDON
“Ira­ni­an Israeli Sing­er”, three words that would appear to con­tain many con­tra­dic­tions appeared on a...
REVIEW | LUCKY TATT DROPS HIS DEBUT ALBUM...
Fort Green, Brook­lyn nat­ive Lucky Tatt drops his debut album “Proven­ance” entirely pro­duced by Endem­ic...
REVIEW | I WAS BORN IN NORTH WEST LONDON, BUT I...
At long last we can say fest­ivals are back in full swing this sum­mer. Many fest­iv­al
REVIEW | MARY J. BLIGE’S ‘MY LIFE’ COMES...
The queen of hip hop soul opened up recently about the leg­acy of argu­ably the most
REVIEW | BREAKIN’ CONVENTION 2021… THE POWER...
For the 2021 edi­tion of the Breakin’ Con­ven­tion eman­at­ing from its spir­itu­al home the world-fam­ous...
REVIEW | LAST MAN STANDING: SUGE KNIGHT AND THE...
Grow­ing up in the late 90s Dre 2001 era, Big­gie and Tupac were spec­tral fig­ures whose