Hip-Hop From The Middle East… Introducing Trak (@trakonline)

trak

Did you always want to be a rap­per? If not, at what point did you decide this was the path to go down?

As long as I can remem­ber I’ve always wanted to make music. i really got engulfed into it at a young age and the bug just nev­er left. First I star­ted by simply writ­ing down words, a basic form of poetry really and as I grew older that evolved into rap­ping and ever since then music and rap in par­tic­u­lar became my life.

Can you give us some back­story about your child­hood and teen­age years?

I’m Egyp­tian, but was born in Doha, Qatar, I then moved to Tokyo, Japan for around 5 years, and then returned back to Doha. Tokyo was my main intro­duc­tion to music. I went to an Amer­ic­an School while I was liv­ing there; I must’ve been the only Egyp­tian kid in that entire school. Being sur­roun­ded by hun­dreds of kids mainly from Amer­ica and Japan meant I was sur­roun­ded by all types of music and Hip Hop being one of them. This was the pro­logue of my music rela­tion­ship. I then con­tin­ued most of my child­hood and teen years in Doha, where I spent most of my time being involved in music some­how or someway.

When you did your first tracks, how did you get hold of your instru­ment­als? Did you know a pro­du­cer or were you buy­ing beats online? 

At the begin­ning, I didn’t even know pro­du­cers sold beats online. Most of the instru­ment­als I used to get were basic­ally instru­ment­al ver­sions of actu­al songs by oth­er artists. I think I was 13 or 14 at the time. That’s when I made my first songs — I remem­ber one of my earli­est ones was to the beat of Mos Def- ‘Trav­el­ling Man’ and Jay‑Z ‘Feel­ing It’. I was using a banged-up laptop, and a mad cheap mic, I used tis­sue paper as a pop fil­ter and used auda­city for a soft­ware.  As time passed by I real­ized there’s 100s of pro­du­cer selling beats online and star­ted meet­ing pro­du­cers but before that I just took it upon myself to learn how to make beats. I still do make beats but cur­rently focus more on the rap side of things

On your Sound­cloud inform­a­tion, you say that this is a time when Hip-Hop is rein­vent­ing itself, can you give your opin­ion on where hip-hop is going?

I think Hip Hop will always rein­vent itself, I think it’s impossible to say where some­thing this big is going, so many dif­fer­ent streams and “sub-genres” diver­ging into their own space. But what I do know is that hip hop will con­tin­ue to evolve and will be here to stay for a very long time. Hope­fully forever.

If you could col­lab­or­ate with any artist at the moment, who would it be?

 Kendrick, J Cole, Eminem, Jay Z, Bryson Tiller,  Phar­rell,  just off the top of my head and in no par­tic­u­lar order — oh also School­boy Q , Ab-Soul, SZA and Jhene Aiko.

What is the hip-hop scene like in the middle east? 

Like any oth­er scene it’s grow­ing, slowly but surely. But It still seems to be frag­men­ted and dis­con­nec­ted. The area still seems to lack the basic infra­struc­ture to grow and con­nect artists and pro­du­cers and every­one in between . There’s still a huge lack in hav­ing dif­fer­ent plat­forms to show­case tal­ent  and the amount of tal­ent has increased in amount and qual­ity. There are still min­im­um oppor­tun­it­ies for these people to be able to sus­tain mak­ing music or even flour­ish In the region. Hope­fully it gets bet­ter but I would­n’t hold my breath and I don’t think I’d per­son­ally have the patience to wait for it.

Do you feel with cur­rent affairs at times you use your music as tool to express and high­light the issues we have in the world? 

I try to keep my music as per­son­al and hon­est as pos­sible. I believe that’s the only way to make time­less music that people can relate to. As far as cur­rent affairs, I think I’d only address issues I’ve exper­i­enced or encountered first hand. And if I were to address oth­er cur­rent affairs I’d address it through a per­son­al per­spect­ive rather than a social orob­ject­ive one.

 Tell us abit about the albums you have released -  The leaf banger and Beat­ing Red? What were the tones of these albums? 

I’ve done a few mix­tapes before but Beat­ing Red was my first offi­cial album — the album revolved around the tri­als and tribu­la­tions of love, lust and broken rela­tion­ships. It takes you through a jour­ney from end to end — meet­ing a girl you’re inter­ested in to the anger and rage of the heart­break. There’s a few songs on there that still strike chords with me.

The leaf Banger album was fun — the concept was “how many club banger hit type tracks can we make” the pur­pose was to show range and get club per­form­ances since that’s the most com­mon way to get shows around here. It’s a fun “jump up and down” and dance out album

What can we expect from you in the near future?

A Leaf Banger 2 album — that’s facts!  Also a new album/project ‑as far as I’m con­cerned at the moment,  the name of that album will “Golden Cages”.

 

Keep up to date with Trak’s music by lik­ing him on Face­book. 

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