Reviews

Believe us, we know what to recom­mend you!

Reviews
REVIEW | DO NOT SLEEP ON THESE US HIP-HOP ALBUMS...
By Alex Gordon • On
A month dom­in­ated by vet­er­ans of the under­ground vying to keep their space and rel­ev­ance in
Reviews
REVIEW | A Slide For Grownups in London?! Last...
By Mark Mukasa • On
Open until 21st Decem­ber, Last Days of Shored­itch presents Winter La La Land, a winter-themed...
Reviews
Review: Breakin’ Convention 2016 (@BConvention)...
By Maya Elese • On
“The body is the brush, the circle is the can­vas, the paint is the blood, sweat
Reviews
krs-one i am hiphop magazine
Review: KRS-One & DJ Premier @O2ForumKTown...
By Ranj Bans • On
“My name is Krs-One and I’m from the United States of Amer­ica, the RACIST United States
Education
Book Review: Pan-Africanism and Communism
By Gata Malandra • On
Pan-Afric­an­ism and Com­mun­ism: The Com­mun­ist Inter­na­tion­al, Africa and the Dia­spora, 1919–1939...
Reviews
Review: KRS One At The Garage — London!...
By Mikee Majestic • On
Check out our foot­age from the night and relive the exper­i­ence! ...
Reviews
Review: Immortal Technique Live At The Royal...
By Eric Hunter • On
(Pho­to­graphy By Arash Shari­fi) On Sunday 16th June 2013 the US rap­per and act­iv­ist Immor­tal Tech­nique
Education
Review: ‘The Classroom and the Cell,...
By Troy Nkrumah • On
The Classroom and the Cell, Con­ver­sa­tions on Black Life in Amer­ica. By Mumia Abu-Jamal and Marc
Reviews
Review: ZooNation’s ‘Some Like It Hip Hop’
By Rishma Dhaliwal • On
Hip Hop is more than a music­al genre, it’s an artist­ic form of expres­sion found through
Reviews
AP2P All Power To The People Tour London
By Arash Sharifi • On
Last Thursday 23rd May Brix­ton Jamm played host to AP2P aka M.1 from Dead Prez and
Reviews
Review: Akala “The Thieves Banquet”
By Arash Sharifi • On
Akala has just released his fourth album entitled The Thieves Ban­quet. Akala’s choice to recor­ded the
Reviews
Review: A Reckoning — De La Soul @ The Forum
By Hannah Francis • On
Pho­to­graph­er: Aimee Val­in­ski Much like an adolescent’s quiet accept­ance of cor­rec­tion admin­istered...