Fol­low­ing up his 2017, ‘You Might Like This,’ EP, TAME, The Aspir­ing Me returns with his fourth slated stu­dio album TAME 3: And My Life Is Good’.

With styles that can be traced back to his top ten ranked Hou­s­ton albums of 2013 (Com­plex

Magazine), ‘The Aspir­ing Me,’ the lyr­ic­al prowess of his 2015 sopho­more album ‘The

Aspir­ing Me II: Ok Whatever,’ and vocal pro­duc­tion stem­ming from his 2017 third album ‘98

Bri­ar­gate & 11 Almeda’.

 On the album TAME said, “I felt like I was going crazy mak­ing this album. I felt immense pres­sure to make some­thing bet­ter than my last pro­ject. Instead of suc­cumb­ing to that pres­sure I took a step back, breathed, lived, and trav­elled,”

“When I came back to work­ing on this I gave myself a dead­line; not as to pres­sure myself, but to call it a stop­ping point. The sword that a lot of DIY Pro­du­cer Artists fall on is not know­ing when to stop. Need­less to say, I am extremely happy and con­fid­ent with the body of work I have. I can­’t wait to tour this work and feel the audi­ences recep­tion live. I’ve got some sick stuff planned for tour”

A lyr­ic­al mas­tery built out of wind­ing flows, TAME is prov­ing to be quite the music­al enigma. Rising through the hip hop scene with his not­able style and sauce which was seen in his recent release ‘No Creep’ and Geppetto’s Story’ which garnered love from across the globe.

Pro­duced, recor­ded, mixed, and mastered by TAME the pol­ished effort can be felt through the art­work. A Polar­oid photo of TAME’s foot provided by artist, Bria Lauren of HTX People Pro­ject. Art­work was design by TAME him­self.

Since the release of his last EP (2017), TAME has been tour­ing the US, pro­du­cing art install­a­tions through the city of Hou­s­ton and Hou­s­ton Arts Alli­ance. Known for being a multi-tal­en­ted artist who has a hand in all facets of his cre­at­ive out­put, TAME has been act­ing and mod­el­ling; appear­ing in Solange’s ‘When I Get Home Film,’ the lat­ter being the second appear­ance of the Hou­s­ton rap­per with Solange, the first being in the Sing­ers ‘Scales’ per­form­ance dur­ing the ‘Seat At The Table’ circa.

Sound­ing like his most excep­tion­al work to date, ‘TAME 3: And My Life Is Good’ is an EP that should not be over­looked.


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Rishma Dhaliwal

Rishma Dhaliwal

Edit­or / PR Con­sult­ant at No Bounds
Rishma Dhali­w­al has extens­ive exper­i­ence study­ing and work­ing in the music and media industry. Hav­ing writ­ten a thes­is on how Hip Hop acts as a social move­ment, she has spent years research­ing and con­nect­ing with artists who use the art form as a tool for bring­ing a voice to the voice­less. Cur­rently work­ing in TV, Rishma brings her PR and media know­ledge to I am Hip Hop and oth­er pro­jects by No Bounds.

About Rishma Dhaliwal

Rishma Dhaliwal
Rishma Dhaliwal has extensive experience studying and working in the music and media industry. Having written a thesis on how Hip Hop acts as a social movement, she has spent years researching and connecting with artists who use the art form as a tool for bringing a voice to the voiceless. Currently working in TV, Rishma brings her PR and media knowledge to I am Hip Hop and other projects by No Bounds.