INTERVIEW | VETERAN HIP HOP JOURNALIST AND CULTURAL CRITIC CHARLIE R. BRAXTON DISCUSSES ‘BOYZ IN THE HOOD’ 30 YEARS LATER

It is hard to believe that it is has been thirty years since the release of one of the most influ­en­tial and con­sequen­tial movies ever made. Boyz in the Hood cap­tured audi­ences with its com­pel­ling imagery, cap­tive storytelling, poignant social com­ment­ary, and just pure hon­esty and intro­duced the main­stream into a world they knew little to noth­ing about and a com­munity that is usu­ally aban­doned and ignored.

The plot revolves around the lives of three young black men grow­ing up in South Cent­ral Los Angeles at the height of the crack epi­dem­ic, mass incar­cer­a­tion, police bru­tal­ity, gentri­fic­a­tion, and rampant gang viol­ence and when Hip Hop was the mega­phone call­ing atten­tion to these prob­lems and those voices holler­ing into the mega­phone were none oth­er than the likes of NWA, Ice‑T, Cypress Hill, Pub­lic Enemy, and oth­ers.

Cuba Good­ing Jr.’s char­ac­ter Tre learns some import­ant life les­sons about love, rela­tion­ships, race, and man­hood along the way and he goes through this very treach­er­ous jour­ney with his fath­er Furi­ous Styles played by Laurence Fish­bourne, his best friend and high school foot­ball standout Ricky Baker played by Mor­ris Chest­nut, and his oth­er good friend and mem­ber of the Crips Dough­boy played by Ice Cube.

The com­ing of age tale did more than just enter­tain, it enlightened. It human­ized the exper­i­ences of each of the char­ac­ters that it was truly art imit­at­ing life.

The pic­ture would garner crit­ic­al acclaim and earned the legendary John Singleton an Oscar nom­in­a­tion for Best Dir­ect­or and launched the act­ing careers of Cube, Good­ing, and Chest­nut.

I had the chance to talk to vet­er­an Hip Hop journ­al­ist and cul­tur­al crit­ic Charlie R. Brax­ton to get his thoughts on the film’s sig­ni­fic­ance all these years later and how it remains rel­ev­ant to the present day.

Can you describe the impact of Boyz in the Hood?

The impact of Boyz in the Hood was tre­mend­ous. The thing that made that film so power­ful was that it gave a very human per­spect­ive to life in South Cent­ral LA. It was the visu­al equi­val­ent to NWA Straight Outta Compton.

How sig­ni­fic­ant was it for a then up in com­ing dir­ect­or like John Singleton, who came from South Cent­ral La, to tell the story?

It was very import­ant that dir­ect­or John Singleton was a nat­ive of South Cent­ral tell this story. Grow­ing up there, he knew the story intim­ately, he knew the char­ac­ters, and, most import­antly, he had a pro­found love and under­stand­ing of South Cent­ral LA. That why he was able to human­ize the char­ac­ters in a way that the movie, Col­ors could­n’t. Too often Hol­ly­wood tells stor­ies involving people of col­or from a very super­fi­cial level. This makes it easi­er for the largest Soci­ety to dehu­man­ize people of col­or. Singleton was able to move bey­ond the super­fi­cial and get into the nuances of the people from South Cent­ral LA.

How would you fit Boyz in the Hood in the con­text of the present day with Black Lives Mat­ter?

Well there are sev­er­al ways to con­tex­tu­al­ize the movie Boyz in the Hood with the black lives mat­ter move­ment. The most obvi­ous is the one where the scene with the black cop who har­assed the main char­ac­ter. Put on a deep­er note the movie also talked about the social eco­nom­ic forces that render black lives mean­ing­less to the lar­ger soci­ety. When Furi­ous Styles point out how liquor stores are on every corner in the black com­munity because the largest Soci­ety once the black com­munity 2 kill itself, he is explain the sys­tem­at­ic gen­o­cide that takes place in the Afric­an Amer­ic­an and Latino com­munity. Today we can add to that food deserts, bad water, poor schools and inad­equate med­ic­al facil­it­ies.

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Zachary Draves
I am a viol­ence pre­ven­tion edu­cat­or, act­iv­ist, journ­al­ist, aspir­ing film­maker, adjunct pro­fess­or of social justice and civic engage­ment at Domin­ic­an Uni­ver­sity in River Forest, Illinois. I am based in Chica­go, Illinois.

About Zachary Draves

Zachary Draves
I am a violence prevention educator, activist, journalist, aspiring filmmaker, adjunct professor of social justice and civic engagement at Dominican University in River Forest, Illinois. I am based in Chicago, Illinois.