Reviews

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Reviews
REVIEW | KENDRICK LAMAR’S ‘GNX’: A BOLD...
By Micky Roots • On
I don’t like to boast (okay, maybe I do, whatever), but I was an early adop­ter
Reviews
REVIEW | ‘WHATEVER IT IS’ BY TONY BONES THE...
By Rishma • On
As anti­cip­a­tion builds for their col­lab­or­at­ive pro­ject, Tony Bones The Pro­du­cer and Jack­son B...
Reviews
REVIEW | LOWKEY ‘SOUNDTRACK TO THE STRUGGLE...
By Faizah Cyanide • On
The Soundtrack to the Struggle 3, is the last instal­ment of the tri­logy from the artist
Reviews
REVIEW | PARTY NEXT DOOR ‘SORRY I’M...
By Priya B • On
PARTYNEXTDOOR’s long-awaited return to the UK for his “Sorry I’m Out­side” tour has been noth­ing short
Reviews
REVIEW | USHER ‘RENDEZVOUS IN PARIS’ A...
By Rishma • On
We were lucky enough to attend a spe­cial press screen­ing at Soho House yes­ter­day for ‘USH­ER:
Reviews
REVIEW | CLOUD X FESTIVAL DELIVERED NICELY WITH...
By Mas Law • On
Deep in the belly of the east along the Thames we arrived at the last minute
Reviews
REVIEW | FULL CIRCLE IN SOUTH LONDON: HIP HOP...
By Salfreckles • On
This was a lil bit of a per­son­al full circle exper­i­ence for me, and I sup­pose
Reviews
RECOMMENDED READ | A CAPTIVATING DEBUT : HELEN...
By Mark Mukasa • On
I recently had the pleas­ure of diving into Helen Comer­ford’s debut nov­el, “The Love Interest”, and
Reviews
REVIEW | CROSS THE TRACKS 2024 IN LONDON’S...
By Maya Elese • On
Much like the weath­er, Cross the Tracks fest­iv­al held in the heart of South London’s Brock­well
Reviews
REVIEW | ‘A NIGHT OF HIP HOP THEATRE’ WITH...
By Isaac Ouro-Gnao • On
Cap­tiv­at­ing, relent­less, and ener­gising through­out, Just Us Appren­tice­ship Com­pany deliv­ers an...
Events
REVIEW | BREAKIN’ CONVENTION 2024
By Apex Zero • On
Strong as ever in their 21st year, Breakin’ Con­ven­tion 2024 did not dis­ap­point, bring­ing the best
Reviews
REVIEW | ‘CYCLES’ BY BOY BLUE AT THE BARBICAN...
By Isaac Ouro-Gnao • On
Cycles, the latest pro­duc­tion by Boy Blue, is a power­ful explor­a­tion of the ‘raw’ form of