Banksy or not Banksy — Controversial Piece (@ArtUnderTheHood)

Fresh Fin­ished Piece — Bank­sy or not ?

The Pope: Con­tro­ver­sial Piece in rela­tion to the many Child Abuse Cases con­nec­ted toThe Vat­ic­an & The  Pope Scan­dals

Early one Sat­urday Morn­ing on 30th March — I took a cycle ride around Brick Lane & Shorditch to snap some flicks to share on Art Under The Hood.
After tak­ing some Photo’s in Black­all Street, I made my way towards the Old Blue Last Pub­lic House and around the corner  just behind the pub I saw two guys masked and hooded put­ting up a siz­able sten­cil (I was unsure who it was at this time and they had both not seen me stand­ing there yet)
I said “Morn­ing Guys”  and they both looked like they were ready to bolt until I said ” Its all good I am just snap­ping Pics”
I stood there watch­ing these two guys spray­ing up the sten­cil and in a bit of a rush (Even Spray­ing the Black on their hands without gloves)
I asked “Who are You Guys?”  The reply was unan­im­ous & they both said “That’s Anonym­ous”
The Sten­cil was fall­ing down on one of the Guys so I held it up for him until they had both fin­ished spray­ing the bot­tom and I was quite sur­prised when I saw them pull out and spray the Bank­sy name Tag to the bot­tom of the Piece
One Guy Pat­ted me on the Shoulder and said ” Thank You for Help­ing Us with the Sten­cil” then they put all their stuff in a black bag and were gone like the wind.

So Bank­sy or not Bank­sy You decide — I already know

For more Street Art Updates check out Art Under The Hood Face­book Page@ArtUn­der­The­Hood 

 

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Gata Malandra

Gata Malandra

Edit­or / Research­er at No Bounds
Gata is a music and arts lov­er, stud­ied anthro­po­logy, art man­age­ment and media pro­duc­tion ded­ic­at­ing most of her time to cre­at­ive pro­jects pro­duced by No Bounds.
Gata Malandra

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About Gata Malandra

Gata Malandra
Gata is a music and arts lover, studied anthropology, art management and media production dedicating most of her time to creative projects produced by No Bounds.

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