REVIEW | HARRY MACK LIVE AT THE O2 ACADEMY BRIXTON LONDON

Nice memor­ies have been made in the illus­tri­ous O2 Brix­ton Academy, and tonight it was Harry Mack’s turn to leave his mark.

I arrived and made my way to the VIP bar, armed myself with a tequila shot and a pint, and pro­ceeded to the main aud­it­or­i­um. The ven­ue was already nicely filled, with the crowd being fully enter­tained by OMA. Flaw­less rendi­tions of some of your favour­ite hip-hop bangers rang out, and the qual­ity of their per­form­ance was sen­sa­tion­al, set­ting the per­fect energy for Harry Mack to alley-oop a clean body.

Before he came on, an image of his face appeared on screen with QR codes on either side. Being the inquis­it­ive journ­al­ist I am, I scanned one. It led to a web page where I could sub­mit a word or top­ic for him to rap about. After enter­ing it, the site clev­erly promp­ted me to enter my email. A smart move on their part.

His DJ, Jazz, came on stage and hyped up the crowd. After some trippy visu­als on the big screen, the cam­era panned to Harry Mack back­stage. He then came out onto the main stage, per­form­ing one of his ori­gin­al songs. I remem­ber look­ing at Shortee Blitz, and we both gave each oth­er a nod of approv­al for what we were hearing.

After fin­ish­ing his tracks, Harry spoke about feel­ing a slight dis­con­nect with the crowd. That quickly changed as he launched into a free­style ses­sion, mak­ing his way through the audience.

The crowd inter­ac­tion was incred­ible and las­ted a sol­id 10 to 15 minutes. As a high-level free­styler myself, it was a true pleas­ure to wit­ness someone with that level of skill in action.

Fol­low­ing the walk through the crowd, he moved on to the next sec­tion of his show: free­styl­ing ran­dom words sub­mit­ted online, com­plete with the names of con­trib­ut­ors shown on the big screen. It was a bril­liant way to involve the audi­ence and make them feel part of the per­form­ance. He handled each word effort­lessly, prov­ing again how pre­pared and sharp he was.

Before the show, an online com­pet­i­tion had been held, and the win­ners were giv­en the oppor­tun­ity to show­case their free­style skills live. The crowd chose the over­all win­ner – One Take Troy – who got the chance to bless the O2 Brix­ton stage. He and Harry traded four bars, and cred­it to Troy, who really rep­res­en­ted on the mic.

The final free­style seg­ment involved even more crowd par­ti­cip­a­tion. Three audi­ence mem­bers were chosen to give Harry a per­son or thing, a place, and a dilemma. He then free­styled an entire story incor­por­at­ing all those ele­ments, com­plete with a recur­ring hook. I was genu­inely in awe of his abil­ity to stay sharp and deliv­er a free­style with struc­ture and substance.

Time flew by, and I was still highly enter­tained. The set seemed to have reached a strong fin­ish – or so I thought.

Harry and DJ Jazz left the stage, only for a drum kit to be rolled to centre stage. The two returned, this time with Harry behind the kit. And my God, the man can play. He laid down grooves over clas­sic tracks, adding yet anoth­er lay­er to an already unfor­get­table night.

 

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Mas Law

Artist/Producer hail­ing from NW Lon­don. Enig­mat­ic storyteller and End of the Weak Eng­land Organiser.

About Mas Law

Artist/Producer hailing from NW London. Enigmatic storyteller and End of the Weak England Organiser.