NEW MUSIC |BELGIAN BEATMAKER HURU (@babahuru) TRANSCENDS TIME WITH ASCENSION (MY.GRAIN)

HURU

Heads who’ve heard of him already wouldn’t be sur­prised by the fact, but most neo­phytes would, as he’s man­aged to stay on the low­est low key so far, it still remains to be noted that “Ascen­sion (My.Grain)” is Brus­sels based beat­maker Huru’s 7th effort. That being said, “It’s my first fully formed demo” are the words you’d get out of him if you were to ask him to say a few words about his new­est pro­ject. Pressed, he’d reveal it to be meant to mean more, as a 13 months-in-the-mak­ing kind of demo, dur­ing which he “lost it all” a couple of times before “get­ting it back” — whatever “it” would be; an explor­at­ory odys­sey through chron­ic pains and dis­cov­er­ies of Self, as his clev­er word­play and his use of del­ic­ately chosen blax­ploit­a­tion snip­pets would hint at; ulti­mately, a can­did invit­a­tion to lose one­self through a maze of beats that in the end, sound more like but­ter than anything.

Track­list:

01 Bound (For A Trip)

02 The Player

03 Bustin’ [with Khoi Kidd]

04 He Faced His Problems

05 His Moods

06 My.Grain

07 The Listening

08 Purple Rain [with Freddy Brack­er] 09 Groove Yard

10 A Dream Deferred

11 Bubbles [with Khoi Kidd]

12 That’s It

13 If It Weren’t To Be

Cred­its:

All tracks writ­ten, arranged, mixed & mastered by Huru at BPR’s RAFT Except :

“Bustin’” & “Bubbles”, co-writ­ten by Khoi Kidd

“Purple Rain”, co-writ­ten, arranged and mixed by Freddy Bracker

Art­work by Huru

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Rishma

Edit­or / PR Con­sult­ant at No Bounds
Rishma Dhali­w­al has extens­ive exper­i­ence study­ing and work­ing in the music and media industry. Hav­ing writ­ten a thes­is on how Hip Hop acts as a social move­ment, she has spent years research­ing and con­nect­ing with artists who use the art form as a tool for bring­ing a voice to the voiceless.

About Rishma

Rishma Dhaliwal has extensive experience studying and working in the music and media industry. Having written a thesis on how Hip Hop acts as a social movement, she has spent years researching and connecting with artists who use the art form as a tool for bringing a voice to the voiceless.