REVIEW | LAST MAN STANDING: SUGE KNIGHT AND THE...
Grow­ing up in the late 90s Dre 2001 era, Big­gie and Tupac were spec­tral fig­ures whose
REVIEW | PRODUCER, COMPOSER AND PERCUSSIONIST...
Fol­low­ing the lion­ised 2017 elec­tron­ica album ‘They Dance in the Dark’ and last year’s celes­ti­al...
REVIEW | ACCESS DENIED BY ASIAN DUB FOUNDATION
I dis­covered Asi­an Dub Found­a­tion in 2006 as an A‑Level arts stu­dent look­ing for real Asi­an
INTERVIEW | HYDERABAD PRODUCER YUNG RAJ TALKS TO...
Last week saw the release of the “Knoxxville EP” by Hydera­bad based pro­du­cer Yung Raj. It
INTERVIEW | FOREIGN BEGGARS CALL FOR A...
In this polit­ic­ally charged time, FOR­EIGN BEG­GARS call for a ‘MAT­RI­ARCHY’ with their final album....
INTERVIEW & REVIEW | GARDNA ‘GOOD TIME NOT...
Bris­tol MC Gardna released his debut album on 19th Octo­ber fea­tur­ing a who’s who of UK
REVIEW | BABYLON THE SOUNDTRACK AT THE JAZZ CAFE...
White Lady Look at you all, good for noth­ing, noisy, stink­ing filth, lazy, you’re every­where, jungle
REVIEW | THE ORIGINAL WAILERS AT JAZZ CAFE 3RD...
It’s 2013, I am aged 24 and in the midst of my Bob Mar­ley phase, an
REVIEW | KRS ONE (@IAMKRSONE) LIVE AT ELECTRIC...
Act­iv­ist, author and Hip Hop pion­eer, KRS-One (Know­ledge Reigns Supreme Over Nearly Every­one) per­formed at...
REVIEW | MISTACHUCK (CHUCK D) ‘CELEBRATION OF...
Pub­lic Enemy are no strangers to using bas­ket­ball as an ana­logy for the human con­di­tion,...